I have left home and returned to Austin. It feels good to be back in Texas. Wider traffic lanes for pickup trucks. Tex-Mex restaurants. Brisket sold in airports. Burnt orange everywhere. All that's missing is my family, which is not a small thing to be missing, though some of the people I'm missing right now are quite small themselves.
The trip back was filled with its usual close-calls [boarded our first flight with about five minutes to spare] and bizarre occurrences [in the Houston Airport, a stewardess got hit by one of those little buggy-things that transports handicapped and elderly people to their gates -- both the buggy and the stewardess were fine]. There was lots of waiting, sitting, lining up -- as there always is. And now I am back in my apartment, which feels emptier and quieter than normal. No baby to chase after, no conversation going on in the kitchen to try and derail. Why do we miss people more when we've just been around them? I can only guess it is because the memory is fresher, making it easier to remember what you are missing. Like a cut that stings all day but fades over a week. At least that's how it feels right now. I hate goodbyes. It's that simple.
[Quick asterisk:
Here is a great piece of writing, that also happens to deal with goodbyes.]
Let us move on from goodbyes. I have encountered them enough today.
....
SCENE: Two Donkeys, CHUCK and DON, graze in a paddock. They are alone, nothing but grass and fences. They look similar, grey fur, pointed ears, as all donkeys do.
CHUCK: No, see that's where you're wrong --
DON: Explain to me how --
CHUCK: I was trying to before you interrupted me.
DON: Alright, go ahead.
CHUCK: You're saying that Warhol's art is trash because --
DON: I never called it trash --
CHUCK (annoyed): Can I finish?
DON: Yeah, but I never called it trash. I just said that --
CHUCK: You said that it wasn't art. Because art shouldn't require an explanation.
DON: It shouldn't.
CHUCK: If that's how you define art.
DON: And how would you define it?
CHUCK: I don't think art can be defined.
DON: Oh, here we go again --
CHUCK: No, I'm just saying, asking someone to define art is like asking for a definition of a number. You can't do it.
DON: That doesn't even make sense.
CHUCK: Define the number one.
DON: What are you even saying?
CHUCK: You can't do it can you?
DON: It's irrelevant.
CHUCK: No, it's not.
DON: How does the definition of the number one apply in any way at all to Warhol's art?
CHUCK: Because, just like you can't define the number one, you can't define art. You just know it when you see it.
DON: I'd say that's a bit of a leap.
CHUCK: Why don't you try reading a book?
DON: Why don't --
A car drives by on the farm road. Don and Chuck stop talking. Graze. Give vacant stares. Wait until the car disappears from sight. They both check the road -- coast is clear.
CHUCK: That was close.
DON: Don't try and change the subject.
CHUCK: I wasn't.
DON: You called me ignorant.
CHUCK: I did not.
DON: You told me to go read a book.
CHUCK: Maybe you should.
DON: And what's that supposed to mean?
CHUCK: That you have this narrow view of art and what it's supposed to be, maybe a book would broaden your horizons.
DON: What if I don't want to broaden my horizons?
CHUCK: Then I'd call you ignorant.
DON: Look at you, all high and mighty on your throne of knowledge.
CHUCK: Don't be petulant --
DON: Oooh, look at Mister Chuck, using big words like petulant.
CHUCK: It means childish --
DON: I know what it means Chuck. I'm not an ass.
CHUCK: Well then maybe you should stop acting like one.
DON: I don't know what's gotten in to you today.
CHUCK: Gotten into me? You're the one who kicked me yesterday because I ate some feed.
DON: It was my feed Chuck. You knew that.
CHUCK (sarcastic): Oh, I'm sorry. Next time the farmer leaves some food in the trough, I'll give you a sharpie so you can label all the food that's "yours".
DON: All I ask is that you don't reach your head over and eat grain that is clearly on my side of the trough.
CHUCK: And what exactly is your side of the trough?
DON: The same side I've been eating from the last three years.
CHUCK: I didn't realize you owned it.
DON: I've got a word for you to define: prick.
Chuck walks away. Contemplates. Turns. Gets ready to bury the dagger.
CHUCK: Hey Don?
DON: What?
CHUCK: You remember that time the farmer gave you a collar?
DON: Yeah...
CHUCK: And you woke up one morning and it was all chewed up?
DON (breathing faster): Yeah...
CHUCK: And I told you Angela, the cow, did it? Well guess what, it was me. I did it. I chewed your collar, and it tasted like crap, maybe because the guy who wore it was a piece of --
Chuck stops. Another car drives by. Don and Chuck stare at each other. This time no vacant looks. Murderous ones. The car passes by. The people inside suspecting nothing...
DON (eyes narrowing): You son of a...
CHUCK: Define that, asshole.
Chuck walks away, leaving Don, simmering with rage.